Russell Noganosh

On my first visit to Canada in 1990 I met a Native Canadian called Russell Noganosh. Russell is an Artist, Dancer, Drummer, a Singer. We have been good friends since and he has been mostly responsible for my Aboriginal education. I believe you will serve yourself well by visiting his website at,

http://www.littledrum.co.uk/authentic

There are beautiful examples of Arts and Crafts by Russell and Margaret Tooshkenig.

Click on the following link to hear a Real Audio stream of a Pow Wow song performed by The Couchiching Singers, who were founded by and feature Russell Noganosh. Also singing are PJ and Jody who want on to form The Rice Lake Drum, who played all over Canada and in the USA. This Song is for an Intertribal Dance and is taken from The Couchiching Singers CD, Lake Of Many Winds.

Intertribal 

 

Russell Noganosh Dancing (left) at The Fourth Homecoming Pow Wow at Kahnawake, Quebec in 1994

 

The Drum

In 1994 I was fortunate to tour the Canadian Pow Wow circuit with a "Drum". I never got to play the drum but then it wasn't my place. In Canada and USA, Drum describes a group of four or five playing the same drum, (see the example below taken at the Cape Croker Pow Wow in 1990).

These men of enormous stature and character were responsible for beating the drum and singing the repeated chants which form the musical accompaniment to the dancing at a traditional Native Pow Wow in North America.

Depending on the size of the Pow Wow,  it's attendance and length, there may be four or five Drums at a pow wow gathering, each group consisting of at least four members. The Drum would have a leader who would sing the lead line of the chant, which would then be repeated by the rest of the group, who were all keeping a steady four four time on the ceremonial drum.

Each member of the drum pounds out the beat with a long rod which is covered in leather at the end.

Each group has it's own drum which might be decorated and will have almost certainly been blessed and purified with the smoke from burning sage. Often members of the group make their own drum using hide for the head. the drum which I was travelling with was covered with a horsehide. The drum itself is usually at least three or four feet in diameter and the singers sit around it in a circle beating it with long rods which are padded with leather at the ends.

A song may last up to twenty minutes or more and generally falls into one of four or five categories such as Veteran or Traditional, to accompany certain dances. These dances include,

 

The Grand Entry

Intertribal Dance

Womens Traditional

Womens Jingle Dress Dance

Grassdance

Fancy Dance

 

Some Pow Wow's in Canada and the USA are "Competition Pow Wows" where there are many more dance categories and participants compete for first second and third place cash prizes which can be as high as 1,000$.

This seems to have been an excellent way of generating new life in today's pow wows by encouraging keen attendance and study of the roots of native culture, especially by young people. From what I could tell, Pow Wows have helped awaken in Aboriginal people a passionate belief in their traditional culture and has helped to restore a human pride robbed by the colonists.

P.L.

 

The Pow Wow

Bringing First Nations Together  

The pow wow is an activity unlike anything in the culture of non­-natives.

The  pow wow is a spiritual gathering of nations,  while  at  the same  time  it  serves  to distinguish  between  the  social  and cultural differences that set natives apart from other societies. Indeed, the pow wow is the expression of a way of life for native communities  across Canada and the United States.  And while  the pow  wow  is  colour in motion  to  most  non-natives,  to  North American Indians the pow wow serves a far greater purpose.

Despite  the ever-changing face of the nation on both the  social and  political  fronts,  pow wow tradition is one  constant  that remains throughout First Nations communities.

As well, the pow wow serves to bond tribes and bands of different linguistic geographical locations, building a bridge between it's paricipants.  All Indians, whether they are of Ojibway, Iroquois or  Sioux descent,  are welcomed to take part in the  intertribal festivities.  

Women's Traditional Dance

From  early spring to late fall,  year after year,  natives  from across  North  America travel great distances to  gather  and  to celebrate their heritage through singing and dancing.  It is  the expression of harmony among First nations and a way of life  that has not been forgotten. The history of the pow wow is a long one. One  must  go  back to the arrival  of  French  explorer  Jacques Cartier,  in  1534,  to  the "new world" for the  first  recorded account of native dancing.  carter recorded that up0n his arrival at  the mouth of the St Laurence river,  he was greeted by  seven canoes filled  with Indian warriors dancing while the women, knee deep in water,  danced along the shoreline.  Cartier also noticed that he had landed among the Algonquin Indians.

Further up the river,  he was again greeted in a likewise manner, upom  his arrival in the Iroquois village of Hochelaga.  It  was observed  and recorded by Cartier that dancing was universal  to the  native communities,  as well as vital to  their  ceremonial practises.

The term pow wow is a European term that has since been  borrowed back by natives.

"Pau wau", which means medicine man or conjuror, was misconstrued by European settlers who witnessed the healing practises of  the village shaman as he was also known as.

The frequent use of the word was taken to mean "the gathering  of natives"   that  surrounded  the  medicine  man  during healing practices,  rather  than the man himself.  Since  the  Nineteenth century, "pow  wow" has largely been associated with any  meeting, religious  or  social  event  involving  natives.   The  pow  wow therefore, can be said to be a gathering of First Nations.


The  historical  origins  of the pow wow  point  to  the  Plains Indians  of  The United States.  Other accounts state  that  the Algonquin Indians of New England played a significant role in the development of the modern day pow wow as it is commonly regarded. Probably  the most significant renderings of native life  in  the early  days of European exploration can be realised  through  the artistic works of George Catlin.

Catlin spent eight years amongst the Sioux Indians of the  Plains in  the  early 1830's,  painting and writing about their  way  of life.  He  is regarded as the best known of the American  artists who depicted Indian life.  His writings are also valuable sources of information.

Natives  lived  an oral tradition and taught the  ceremonies  and dances  to  future generations by word  of  mouth. Therefore,  the writings and paintings of settlers, in particular George Catlin, are primary sources for historical analysis,  as far as the early pow wow traditions are concerned.

Today,  not  unlike  the days of initial contact with  the  first

European settlers,  the pow wow continues to bring First  Nations together; harmoniously and with great pride and dignity.

 

Reproduced  with the kind permission of The Mississuagas  of  the New Credit First Nation

 

Joseph Firecrow

There is a great flute player from the USA called Joseph Firecrow. Visit his site at,

http://www.josephfirecrow.com/

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