Russell NoganoshOn my first visit to Canada in 1990 I met a Native Canadian called Russell Noganosh. Russell is an Artist, Dancer, Drummer, a Singer. We have been good friends since and he has been mostly responsible for my Aboriginal education. I believe you will serve yourself well by visiting his website at,
http://www.littledrum.co.uk/authentic
There are beautiful examples of Arts and Crafts by Russell and Margaret Tooshkenig.
Click on the following link to hear a Real Audio stream of a Pow Wow song performed by The Couchiching Singers, who were founded by and feature Russell Noganosh. Also singing are PJ and Jody who want on to form The Rice Lake Drum, who played all over Canada and in the USA. This Song is for an Intertribal Dance and is taken from The Couchiching Singers CD, Lake Of Many Winds.

Russell Noganosh Dancing (left) at The Fourth Homecoming Pow Wow at Kahnawake, Quebec in 1994
The Drum
In 1994 I was fortunate to tour the Canadian Pow Wow circuit with a "Drum". I never got to play the drum but then it wasn't my place. In Canada and USA, Drum describes a group of four or five playing the same drum, (see the example below taken at the Cape Croker Pow Wow in 1990).
These men of enormous stature and character were responsible for beating the drum and singing the repeated chants which form the musical accompaniment to the dancing at a traditional Native Pow Wow in North America.

Depending on the size of the Pow Wow, it's attendance and length, there may be four or five Drums at a pow wow gathering, each group consisting of at least four members. The Drum would have a leader who would sing the lead line of the chant, which would then be repeated by the rest of the group, who were all keeping a steady four four time on the ceremonial drum.
Each member of the drum pounds out the beat with a long rod which is covered in leather at the end.
Each group has it's own drum which might be decorated and will have almost certainly been blessed and purified with the smoke from burning sage. Often members of the group make their own drum using hide for the head. the drum which I was travelling with was covered with a horsehide. The drum itself is usually at least three or four feet in diameter and the singers sit around it in a circle beating it with long rods which are padded with leather at the ends.
A song may last up to twenty minutes or more and generally falls into one of four or five categories such as Veteran or Traditional, to accompany certain dances. These dances include,
The Grand Entry
Intertribal Dance
Womens Traditional
Womens Jingle Dress Dance
Grassdance
Fancy Dance
Some Pow Wow's in Canada and the USA are "Competition Pow Wows" where there are many more dance categories and participants compete for first second and third place cash prizes which can be as high as 1,000$.
This seems to have been an excellent way of generating new life in today's pow wows by encouraging keen attendance and study of the roots of native culture, especially by young people. From what I could tell, Pow Wows have helped awaken in Aboriginal people a passionate belief in their traditional culture and has helped to restore a human pride robbed by the colonists.
P.L.
The
pow wow is an activity unlike anything in the culture of non-natives.
The
pow wow is a spiritual gathering of nations,
while at
the same time
it serves
to distinguish between
the social
and cultural differences that set natives apart from other societies.
Indeed, the pow wow is the expression of a way of life for native communities
across Canada and the United States.
And while the pow wow is
colour in motion to most
non-natives, to North
American Indians the pow wow serves a far greater purpose.
Despite
the ever-changing face of the nation on both the
social and political
fronts, pow wow tradition
is one constant that remains throughout First Nations communities.
As
well, the pow wow serves to bond tribes and bands of different linguistic
geographical locations, building a bridge between it's paricipants.
All Indians, whether they are of Ojibway, Iroquois or
Sioux descent, are
welcomed to take part in the intertribal
festivities.
Women's Traditional Dance
From
early spring to late fall, year
after year, natives from
across North
America travel great distances to
gather and
to celebrate their heritage through singing and dancing.
It is the expression of
harmony among First nations and a way of life
that has not been forgotten. The history of the pow wow is a long one.
One must
go back to the arrival
of French
explorer Jacques Cartier, in 1534,
to the "new
world" for the first
recorded account of native dancing.
carter recorded that up0n his arrival at
the mouth of the St Laurence river,
he was greeted by seven
canoes filled with Indian
warriors dancing while the women, knee deep in water,
danced along the shoreline. Cartier
also noticed that he had landed among the Algonquin Indians.
Further
up the river, he was again
greeted in a likewise manner, upom his
arrival in the Iroquois village of Hochelaga.
It was observed and recorded by Cartier that dancing was universal
to the native communities,
as well as vital to their
ceremonial practises.
The
term pow wow is a European term that has since been borrowed back by natives.
"Pau
wau", which means medicine man or conjuror, was misconstrued by European
settlers who witnessed the healing practises of the village shaman as he was also known as.
The
frequent use of the word was taken to mean "the gathering
of natives" that surrounded
the medicine
man during healing
practices, rather
than the man himself. Since
the Nineteenth century,
"pow wow" has largely
been associated with any meeting, religious or
social event
involving natives.
The pow
wow therefore, can be said to be a gathering of First Nations.


The
historical origins
of the pow wow point
to the Plains Indians of
The United States. Other accounts state that
the Algonquin Indians of New England played a significant role in the
development of the modern day pow wow as it is commonly regarded. Probably
the most significant renderings of native life in the early
days of European exploration can be realised
through the artistic works
of George Catlin.
Catlin
spent eight years amongst the Sioux Indians of the Plains in the
early 1830's, painting and writing about their
way of life.
He is regarded as the best
known of the American artists who depicted Indian life. His writings are also valuable sources of information.
Natives
lived an oral tradition and
taught the ceremonies
and dances to
future generations by word of
mouth. Therefore, the
writings and paintings of settlers, in particular George Catlin, are primary
sources for historical analysis, as
far as the early pow wow traditions are concerned.
Today,
not unlike
the days of initial contact with the
first
European
settlers, the pow wow continues to
bring First Nations together;
harmoniously and with great pride and dignity.
Reproduced
with the kind permission of The Mississuagas of the New
Credit First Nation
Joseph Firecrow
There is a great flute player from the USA called Joseph Firecrow. Visit his site at,
http://www.josephfirecrow.com/
This page is part of The Little Drum and Percussion websiteIf you don't see a menu hit the above link to reload this site.